In Germany, almost everyone knows Paul Maar’s stories about Das Sams. The Sams is a strange little creature, a kind of hybrid between Alf and a wish fairy, which more or less happens upon a middle-aged, reclusive man called Bruno Taschenbier. For reasons I am unwilling to explain here (you’ll have to read up on it by yourself), Taschenbier is adopted by the Sams as his “Papa”, which, apart from causing a lot of chaos in his hitherto quiet and boring life, has its benefits, since The Sams finds itself in the possession of a lot of blue freckles on its face, and with every freckle it is able to grant a wish to Bruno Taschenbier. Each of those, however, has to be formulated precisely, otherwise… well, see my point about chaos above.
First published in 1973, it took decades before the author finally agreed to a film adaptation of his book series. For the wonderful edited volume on Paul Maar – Studien zum kinder- und jugendliterarischen Werk (edited by Andreas Wicke and Nikola Roßbach) I have written a little essay on the film adaptations, which are interesting from a narratological perspective since the first film combines the content and story structure of the first three books within 90 minute’s screen time.
Disclaimer: I happen to be the co-editor of the book series “Kinder- und Jugendliteratur intermedial” this volume has been published in.